![]() ( Voice of the Whale was written just three years after the movie 2001: A Space Odyssey. ![]() The flute solo ends with a parody quotation from Also sprach Zarathustra-the trumpet “sunrise” motive-and the piano makes its entrance with the orchestral chords and timpani part. The score instructs that the flutist’s singing and playing should be “perfectly balanced.” The flute’s extended vocalise is only accompanied by the piano’s damper pedal, which is held to create a resonant, underwater sound. The piece begins with the electric flute (aka amplified flute) imitating whale songs by singing and playing at the same time. Vocalise (… for the beginning of time) – Wildly fantastic grotesque Far from tedious, I find this work to be captivating, albeit difficult to penetrate at times as is most of Crumb's work. The following will give a little insight into Voice of the Whale and how it’s put together. Vox Balaenae was, along with Crumb's Ancient Voices of Children, amoung my favorite 20th century works as a child. However, what sounds spontaneous is often anything but. You don’t need to know any of this stuff to enjoy the piece-part of its charm is its spontaneous, improvisational atmosphere. Vox Balaenae for three masked players by George Crumb George Crumb was born on Octoin a musical family in Charleston, and he also is an American composer of avant-garde music (Mayfield, Connie 2012).Both of his parents were professional musicians, and he grew up in a home filled with music atmosphere. George Henry Crumb was born in Charleston, West Virginia on 24 October 1929 and, shortly after his completion of the song we’ve just heard, he graduated from Charleston’s Mason College of Music before studying for his master’s degree at the University of Illinois he subsequently studied under Boris Blacher at Berlin’s Hochschule fr Musik from 19541955. This article will break down a few of the incredible sounds in the piece and how they’re notated in the score. Vox Balaenae (Voice of the Whale), is a kind of oceanic equivalent of Olivier Messiaens birdcalls, based on the songs of the humpback whale. Juan Francisco Sans y Miguel Astor george crumb vox balaenae (la voz de la ballena)(1971) Yo creo que la msica sobrepasa incluso al lenguaje en su poder de reflejar los ms intimos refugios del alma humana Fuente de referencias Las referencias a que. Here’s some background on the piece from flutist Tara Helen O’Connor: UNIVERSIDAD CENTRAL DE VENEZUELA Escuela de Artes Ctedra de Anlisis Musical Prof. Vox Balaenae (Voice of the Whale), written nearly 50 years ago, is a Crumb classic that shows his typically creative voice. He gives extensive instructions yet he strikes a balance between notating exactly what he intends and allowing performers to make their own interpretations. He notates practically every type of sound, whether traditional melody and harmony, imitations of nature, or new sounds from his imagination. Orchestration Techniques Crumb tent to use different instruments and artifacts that can support his musical-theatrical thoughts. He always sounds like himself and has remained true to his personal style for over 50 years.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |